Tag Archives: publishing

Yes, You Can Publish Poetry after 60!

As a writer who began publishing poetry later in life, I was delighted to learn that Grey Hen Press was founded in England specifically to publish the work of older women in themed anthologies.  Most of the poets have already been published, and some of those are very well known and established poets. But many are are at the early stages of their poetic careers, or even being published for the the first time. I cackled my way through A Twist of Malice:  Uncomfortable Poems by Older Women, and have enjoyed both contributing to and reading Grey Hen’s books ever since.  Interviewing Joy Howard, the energetic visionary behind the Press, reminded me of how much one’s life can blossom after retirement – and how many others one can take along for the ride.  Do look at Grey Hen’s wonderful listings here.  Postage from England isn’t that expensive, and you’ll love the poetry.

Joy Howard in her garden in Kendal, Cumbria, England

An Interview with Joy Howard, Grey Hen Press

I had written a poem here and there throughout my life, but I didn’t really start until I came out when I was 40.  It was as if a tap was turned on, and I was given permission to pour out everything I’d held back.  I was published first in the 1980s by Lillian Mohin at Onlywomen Press and just kept writing.

When did you begin writing poetry yourself?

When I moved up North and began my 23 year relationship with Barbara Burford I also started a new and interesting job,and between that involving work life and relationship, the tap turned off again. 

How did Grey Hen begin?

After I retired in 2006, I had a second coming as a poet, and began writing prolifically again. When I began to look for ways to get my work published, I discovered that the poetry world had changed, depending much more on qualifications in creative writing, having a CV of magazine publications and competition awards.  At my age, I realised I wasn’t going to get all that overnight, and guessed there must be lots of other women like me, making a late start. So that’s how I got the idea for Grey Hen.

What kind of books do you publish?

I started by publishing a pamphlet, with my own and a couple of poet friends work – this was the first steep learning curve. Then I hit on the idea of themed anthologies rather than individual collections. The first title arrived in my head from I don’t quite know where –  A Twist of Malice:  Uncomfortable Poems by Older Women.I read extensively, found excellent poems that fitted the bill, contacted the poets, asked for recommendations. The book came out in 2008, It really resonated with women and sold extremely well. I was on my way. (Even after 12 years, that first book is still selling). The themed anthologies have proved to be a very successful format. Most of the ideas have been mine though sometimes suggestion from others have fired me up. For example, a poet who is a sailor thought the sea would be a wonderful theme, and Running Before the Wind was the result.   

My watchwords are ‘accessible, affordable, relevant’. I’ve not raised the prices even after all these years, yet I’ve managed to break even financially. I want the poems to be read, not sitting in unopened splendor in my storeroom.  .  

Joy and the Grey Hens reading

I like to do books that cross over audiences, so that for example the anthology about birds, No Space But Their Ownmight introduce birding to people who read poetry, and poetry to those who love birds.  

How has the Grey Hen community grown? The community of Grey Hens, as we sometimes call ourselves, has grown enormously, and now includes more than 180 poets. The network keeps expanding. In every anthology you’ll find both newcomers and a few really well known poets, who have been unfailingly generous.

The Grey Hens support the press and each other in many ways, introducing me to new writers, putting on readings, and making the press new friends. They tell me that they feel part of a community of poets.

What’s unique about Grey Hen?

Grey Hen uniquely publishes only older women, and specializes in themed anthologies. We’re also unlike other publishers in that we work with poets to create readings nationwide, so that they can read in their own regions, not just in London.  We’ve done close to 100 readings now, including in Amsterdam and Ireland as well as around the country, literally from Penzance to Wick. Grey Hen also makes a donation to a relevant organization whenever possible, as for example to the British Beekeepers Association from The Price of Goldpoems about the honey bee or to the Rainforest Foundation (Extraordinary Formssome wonders of the natural world).

Our imprint, Hen Run, produces occasional chapbooks for women who have listeners and a body of work, but are unlikely to find another publisher at this stage of life without a step up on the ladder, and for those It gives a CV boost and something material to take to readings. Many have gone on to establish themselves and become known to a wider audience. Hen Run also performs a service to women who already have a publishing history but want the chance to  work on a smaller and specific project. 

Thanks again to Joy for her splendid work for older women’s poetry, for a wonderful day when I was in the Lake District when I was there, and for chatting with me via Skype.

Up a steep path with Joy in 2018 when I visited the Lake District

 

Getting the Most out of Goodreads:  What I Learned at BEA

A general comment on BEA which I’m inserting in each of these related posts:  Even though it’s a publishers’ conference, it’s a great chance for authors like me to learn about the world we are part of, meet lots of people including reviewers, and listen to the top people in the business of promoting book talk about what they do, and what might help us.  I’m glad I went.  I’m going to do a series of highlights about the workshops I attended so other writers can get the benefit of those sessions too.  Wish you’d been there.Mary in front of BEA sign

Takeaways:

  • Soon Goodreads will be offering Kindle e-book giveaways which they highly recommend and will promote
  • The hope is that winners will write reviews, particularly pre-publication so that you’ll see reviews on the publication date
  •  It’s a powerful form of free social news
  • The publisher chooses the length of the giveaway and the number of copies up to 100 – cost is $119
  • A key factor is delivering the file to Kindle well in advance of pub date
  • Established writers can now write directly to their fan base to help others break out, with a personal e-mail to each person who has rated them highly
  • They are doing genre weeks to promote lots of books in one genre together
  • The Nightingale case study shows several peaks after pre-publication reviews and advertising as well as a feature article in the Goodreads newsletter, and steadily high sales
  • It’s important to engage with your readers.  Specifically:
    o Shelve books so readers see your taste
    o Answer questions through Ask the Author
    o Keep a blog or write status updates to stay in the front of readers’ minds
    o Try for the Goodreads Choice Awards
    o Give away lots of books pre-publication and bring personality to it
    o Consider starting a group, or connect with an existing one by approaching the moderator personally, not the whole group
  • Use advertising, which looks and feels like Goodreads content but is marked as sponsored
  • People need to see the cover 6-12 times before they buy
  • A profile is essential
  • You can pitch the newsletter, which runs its own content, telling us why the audience wants to read this book.

Resources:

Speakers:
Patrick Brown, head of author marketing at Goodreads
Laura Clark, St. Martin’s Press